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Image Courtesy of Magenta Light Studios |
On August 23, 2024, Magenta Light Studios releases 'Strange Darling', which has received predominantly positive reviews from critics, currently holding fresh at 97% on Rotten Tomatoes alongside a Critics Consensus that reads, "JT Mollner delivers a thrillingly unexpected and electric ride with two breakout performances by Willa Fitzgerald and Kyle Gallner in Strange Darling." In the film, an unusual one night stand becomes a nightmare as a killer begins a murder spree. The ensemble cast includes Ed Begley Jr. and Barbara Hershey. But what did the critics say?
Britt Hayes of The Mary Sue writes, "Strange Darling is one hell of a thrill ride. Mollner’s script is sharp and systematic, bolstered by a breathtaking performance from Fitzgerald, who absolutely tears into the role -- all the way down to the gristle and marrow." Adding, "In what could be considered one of Strange Darling‘s many subversions, Mollner almost seems to be guided by Fitzgerald’s performance rather than the other way around. Fitzgerald is nervy and entirely unself-conscious; you can see the machinery at work behind her eyes, yet she’s nearly impossible to read. Each chapter of the story adds another layer to the dynamic between Fitzgerald and Gallner, the latter of whom keeps his cards much closer to his chest. Though we’re anxiously awaiting the moment when he finally clamps his jaw around his prey, there is an uncertainty to Gallner as he attempts to negotiate this seeming one-night stand."
Fred Topel of United Press International says, "One of those discoveries in which the surprise is imperative. So this review will attempt to celebrate it without spoiling it for future viewers." Concluding, "The opening credits also brag that Strange Darling was shot in 35mm film, a rarity in the digital age. As cinematographer, Giovanni Ribisi maintains a steady frame in which the action unfolds, full of vivid colors."
Ed Travis of Cinapse notes, "There’s undeniable talent assembled behind and before the camera, putting you in good hands for the ride it’ll take you on. You’ll want to go into Strangle Darling knowing as little as you can, but you’ll most definitely want to go into Strange Darling."
Kat Hughes of THN praises the film, stating, "A clever modern throwback to the Grindhouse era, Strange Darling manages to be seductive, sensual and unnerving simultaneously. Its unconventional structure enriches the story, making it one thriller too tantalising to pass by." Continuing, "Fitzgerald is mesmerising as Lady and this, coupled with an excellent turn in Mike Flanagan’s The Fall of the House of Usher, is sure to see her career level up. Gallner remains as consistent as ever. Both in terms of his performance and ability to sniff out an exciting project. When placed in close proximity together the duo spark with an extended motel room scene almost setting the film on fire with how hard they commit to conjuring a specific mood. The scene in question teeters between erotic and disturbing, aggressive and playful, the constant sway keeping the viewer on edge, but also drawing them further in."
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