'September 5' Reviews: Film "will pin you to your seat"

         On December 13, 2024, Paramount Pictures releases 'September 5', which has received rave reviews from critics, earning a score of 88% on Rotten Tomatoes at the time of this writing. In the film, which is generating Oscar buzz, "During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes." The ensemble cast includes Peter Sarsgaard, John Magaro, Ben Chaplin, Leonie Benesch, and Zinedine Soualem. But what did the critics say?

        Peter Travers of ABC News says, "The massacre of the Israel team at the 1972 Munich Olympics becomes a riveting docudrama on journalism under fire as seen through the contro lroom of ABC Sports doing live coverage. Peter Sarsgaard, John Magaro and Leonie Benesch will pin you to your seat" Adding, "Scaling this testosterone wall is "The Teachers' Lounge" breakout Leonie Benesch as Marianne Gebhardt, the only German-speaking member of a boys club unashamed of underestimating women. Start an Oscar campaign pronto for the brilliant Benesch, who is so good you want to cheer. All the actors could not be better or more fully committed."

       Lucia Ahrensdorf of The Film Stage writes, "September 5 may aim to represent the uncomfortable ethics of media, but this is no Ace in the Hole. About the final shootout that results in hostage deaths, Marianne (Benesch) tearfully says, “I stood with hundreds of people, waiting for something to happen so we could take a picture of it.” This line is meant to implicate our protagonists as voyeurs, media vultures. Yet this moment doesn’t resonate deeply when the film goes out of its way to cast these characters as blameless. (What can they do? It’s their job!) With a matter-of-fact, procedural tone, September 5 treats journalism as a sport––not one of blood and sweat, but something more like ping-pong. The plot builds up to the infamous moment when the journalists misreport the escape of the hostages, only to then have to backtrack and report that, actually, they’ve died. The mistake evokes an emotional reaction from the staff, but the show must go on: they quickly pivot to working on tomorrow’s broadcast of the memorial service. The theatergoers around me exclaimed variations of “wow!” and “phew!” after the film had ended––as if they had just gotten off a roller-coaster ride. I wondered what value there is in these straight re-tellings of the reporting of historical events. It’s true to the characters’ experience to design the film as 90 minutes of adrenaline, but shouldn’t we ask more of films than simple recreation? Watching September 5, it’s hard not to miss the messy agony of Steven Spielberg’s Munich. Here, humanity is condensed and trapped in professional gestures––a bloodless upholding of American corporate-media machinations. Such moments of humanity among the bloodless professionalism are the point, the filmmakers might say. Some may feel a thrill, but I left feeling cold and blank, the buzz quickly worn off."

Photo by Josh Chiodo on Unsplash

        Gregory Ellwood of The Playlist notes, "A breezy 91 minutes, “September 5” is captivating on multiple levels and, frankly, a surprising success considering Fehlabum‘s previous work. Even though the fate of these hostages was determined over five decades ago and you witness the events from a distance, Fehlabum and his editor Hansjörg Weißbrich will keep you in suspense as the drama plays out. The filmmakers’ decision to use real broadcast footage could have easily backfired, but intertwining just McKay with Walker’s portrayal of Jennings strikes the perfect balance (it also helps they have the larger-than-life Howard Cosell call into the control room rather than have him appear on screen). It only reinforces the sense that you are part of a live news story and the genuine tension that accompanies it. Oh, and as a lesson in the craftsmanship that went into what is now “old school” analog television coverage, the movie will be eye-opening for many." Adding, "Quizically, the only aspect of the story “September 5” fumbles is the political ramifications of Black September’s actions. It gives the innocent Israeli victims their due but simply leaves it at that. This is not a movie that wants to seriously dive into the Palestinian-Israeli conflict. The terrorists are largely lifeless which, granted, was what was known during the actual broadcast. It’s mostly captivated by the inherent drama capturing the event. The balance of brilliant decisions and unfortunate mistakes that plague coverage of an event like this. And it’s smart enough to recognize that for these television creators, this isn’t something they will shake off in a day or two. But they did their job and like no one before them. You just wish what happened next was explored beyond the requisite title card before the credits roll."